Crime and Punishment: A Novel in Six Parts with Epilogue by Fyodor Dostoevsky (E

Description: Crime and Punishment by Fyodor Dostoevsky, Richard Pevear, Larissa Volokhonsky A man must endure relentless physical and metal punishments as retribution for his act of murder. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description Hailed by Washington Post Book World as "the best [translation] currently available" when it was first published, this second edition of Crime and Punishment has been updated in honor of the 200th anniversary of Dostoevskys birth. • ONE OF TIME MAGAZINES 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIMEWith the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevskys astounding pyschological thriller, newly revised for his bicentenniel. In Crime and Punishment, when Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is almost unequalled in world literature for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision. Dostoevskys drama of sin, guilt, and redemption transforms the sordid story of an old womans murder into the nineteenth centurys profoundest and most compelling philosophical novel. Back Cover It is a murder story, told from a murderers point of view, that implicates even the most innocent reader in its enormities. It is a cat-and-mouse game between a tormented young killer and a cheerfully implacable detective. It is a preternaturally acute investigation of the forces that impel a man toward sin, suffering, and grace. Ever since its publication in 1866, Crime and Punishment has intrigued readers and sorely tested translators, the best of whom seemed to capture one facet of Dostoevskys masterpiece while missing the rest. Now Richard Pevear and Larissa Volokhonsky render this elusive and wildly innovative novel with an energy, suppleness, and range of voice that do full justice to the genius of its creator. Author Biography FYODOR MIKAILOVICH DOSTOEVSKYs life was as dark and dramatic as the great novels he wrote. He was born in Moscow in 1821. A short first novel, Poor Folk (1846) brought him instant success, but his writing career was cut short by his arrest for alleged subversion against Tsar Nicholas I in 1849. In prison he was given the "silent treatment" for eight months (guards even wore velvet soled boots) before he was led in front a firing squad. Dressed in a death shroud, he faced an open grave and awaited execution, when suddenly, an order arrived commuting his sentence. He then spent four years at hard labor in a Siberian prison, where he began to suffer from epilepsy, and he returned to St. Petersburg only a full ten years after he had left in chains.His prison experiences coupled with his conversion to a profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868-69), The Possessed (1871-72),and The Brothers Karamazov (1879-80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature. Review "The best [translation of Crime and Punishment] currently available…. An especially faithful re-creation … with a coiled-spring kinetic energy…. Dont miss it." —The Washington Post Book World "This fresh, new translation … provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevskys tale achingly alive…. It succeeds beautifully." —San Francisco Chronicle "Reaches as close to Dostoevsky s Russian as is possible in English…. The originals force and frightening immediacy is captured…. The Pevear and Volokhonsky translation will become the standard English version." —Chicago Tribune Review Quote "The best [translation ofCrime and Punishment] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy…Dont miss it." Washington Post Book World "This fresh, new translation…provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevskys tale achingly alive…It succeeds beautifully." San Francisco Chronicle "Reaches as close to Dostoevskys Russian as is possible in English…The originals force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard English version."Chicago Tribune From the Hardcover edition. Excerpt from Book CHAPTER 1 On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. Bridge. He had successfully avoided meeting his landlady on the staircase. His garret was under the roof of a high, five-storied house, and was more like a cupboard than a room. The landlady, who provided him with garret, dinners, and attendance, lived on the floor below, and every time he went out he was obliged to pass her kitchen, the door of which invariably stood open. And each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed. He was hopelessly in debt to his landlady, and was afraid of meeting her. This was not because he was cowardly and abject, quite the contrary; but for some time past, he had been in an over-strained, irritable condition, verging on hypochondria. He had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but any one at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that any landlady could do had a real terror for him. But to be stopped on the stairs, to be forced to listen to her trivial, irrelevant gossip, to pestering demands for payment, threats and complaints, and to rack his brains for excuses, to prevaricate, to lie--no, rather than that, he would creep down the stairs like a cat and slip out unseen. This evening, however, on coming out into the street, he became acutely aware of his fears. "I want to attempt a thing like that and am frightened by these trifles," he thought, with an odd smile. "Hm . . . yes, all is in a mans hands and he lets it all slip from cowardice, thats an axiom. It would be interesting to know what it is men are most afraid of. Taking a new step, uttering a new word is what they fear most. . . . But I am talking too much. Its because I chatter that I do nothing. Or perhaps it is that I chatter because I do nothing. Ive learned to chatter this last month, lying for days together in my den thinking . . . of Jack the Giant-killer. Why am I going there now? Am I capable of that? Is that serious? It is not serious at all. Its simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything." The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer--all worked painfully upon the young mans already overwrought nerves. The insufferable stench from the pot-houses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young mans refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food. He was so badly dressed that even a man accustomed to shabbiness would have been ashamed to be seen in the street in such rags. In that quarter of the town, however, scarcely any short-coming in dress would have created surprise. Owing to the proximity of the Hay Market, the number of establishments of bad character, the preponderance of the trading and working class population crowded in these streets and alleys in the heart of Petersburg, types so various were to be seen in the streets that no figure, however queer, would have caused surprise. But there was such accumulated bitterness and contempt in the young mans heart that, in spite of all the fastidiousness of youth, he minded his rags least of all in the street. It was a different matter when he met with acquaintances or with former fellow students, whom, indeed, he disliked meeting at any time. And yet when a drunken man who, for some unknown reason, was being taken somewhere in a huge waggon dragged by a heavy dray horse, suddenly shouted at him as he drove past: "Hey there, German hatter!" bawling at the top of his voice and pointing at him--the young man stopped suddenly and clutched tremulously at his hat. It was a tall round hat from Zimmermans, but completely worn out, rusty with age, all torn and bespattered, brimless and bent on one side in a most unseemly fashion. Not shame, however, but quite another feeling akin to terror had overtaken him. "I knew it," he muttered in confusion, "I thought so! Thats the worst of all! Why, a stupid thing like this, the most trivial detail might spoil the whole plan. Yes, my hat is too noticeable. . . . It looks absurd and that makes it noticeable. . . . With my rags I ought to wear a cap, any sort of old pancake, but not this grotesque thing. Nobody wears such a hat, it would be noticed a mile off, it would be remembered. . . . What matters is that people would remember it, and that would give them a clue. For this business one should be as little conspicuous as possible. . . . Trifles, trifles are what matter! Why, its just such trifles that always ruin everything. . . ." He had not far to go; he knew indeed how many steps it was from the gate of his lodging house: exactly seven hundred and thirty. He had counted them once when he had been lost in dreams. At the time he had put no faith in those dreams and was only tantalising himself by their hideous but daring recklessness. Now, a month later, he had begun to look upon them differently, and, in spite of the monologues in which he jeered at his own impotence and indecision, he had involuntarily come to regard this "hideous" dream as an exploit to be attempted, although he still did not realise this himself. He was positively going now for a "rehearsal" of his project, and at every step his excitement grew more and more violent. With a sinking heart and a nervous tremor, he went up to a huge house which on one side looked on to the canal, and on the other into the street. This house was let out in tiny tenements and was inhabited by working people of all kinds--tailors, locksmiths, cooks, Germans of sorts, girls picking up a living as best they could, petty clerks, etc. There was a continual coming and going through the two gates and in the two court-yards of the house. Three or four door-keepers were employed on the building. The young man was very glad to meet none of them, and at once slipped unnoticed through the door on the right, and up the staircase. It was a back staircase, dark and narrow, but he was familiar with it already, and knew his way, and he liked all these surroundings: in such darkness even the most inquisitive eyes were not to be dreaded. "If I am so scared now, what would it be if it somehow came to pass that I were really going to do it?" he could not help asking himself as he reached the fourth storey. There his progress was barred by some porters who were engaged in moving furniture out of a flat. He knew that the flat had been occupied by a German clerk in the civil service, and his family. This German was moving out then, and so the fourth floor on this staircase would be untenanted except by the old woman. "Thats a good thing anyway," he thought to himself, as he rang the bell of the old womans flat. The bell gave a faint tinkle as though it were made of tin and not of copper. The little flats in such houses always have bells that ring like that. He had forgotten the note of that bell, and now its peculiar tinkle seemed to remind him of something and to bring it clearly before him. . . . He started, his nerves were terribly overstrained by now. In a little while, the door was opened a tiny crack: the old woman eyed her visitor with evident distrust through the crack, and nothing could be seen but her little eyes, glittering in the darkness. But, seeing a number of people on the landing, she grew bolder, and opened the door wide. The young man stepped into the dark entry, which was partitioned off from the tiny kitchen. The old woman stood facing him in silence and looking inquiringly at him. She was a diminutive, withered-up old woman of sixty, with sharp malignant eyes and a sharp little nose. Her colourless, somewhat grizzled hair was thickly smeared with oil, and she wore no kerchief over it. Round her thin long neck, which looked like a hens leg, was knotted some sort of flannel rag, and, in spite of the heat, there hung flapping on her shoulders, a mangy fur cape, yellow with age. The old woman coughed and groaned at every instant. The young man must have looked at her with a rather peculiar expression, for a gleam of mistrust came into her eyes again. "Raskolnikov, a student, I came here a month ago," the young man made haste to mutter, with a half-bow, remembering that he ought to be more polite. "I remember, my good sir, I remember quite well your coming here," the old woman said distinctly, still keeping her inquiring eyes on his face. "And here . . . I am again on the same errand," Raskolnikov continued, a little disconcerted and surprised at the old womans mistrust. "Perhaps she is always like that though, only I did not notice i Details ISBN0679734503 Short Title CRIME & PUNISHMENT Series Vintage Classics Language English ISBN-10 0679734503 ISBN-13 9780679734505 Media Book Format Paperback DEWEY 891.733 Year 1993 Imprint Vintage Books Subtitle A Novel in Six Parts with Epilogue Place of Publication New York Country of Publication United States Alternative 9789626340097 Tag TNXMAS007 Audience Age 14-18 Translator Larissa Volokhonsky DOI 10.1604/9780679734505 AU Release Date 1993-03-02 NZ Release Date 1993-03-02 US Release Date 1993-03-02 UK Release Date 1993-03-02 Author Larissa Volokhonsky Pages 624 Publisher Random House USA Inc Publication Date 1993-03-02 Audience Undergraduate We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:43665705;

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